top of page
HOME
DESIGN PROMO FILMS
IFFR
DAAN ROOSEGAARDEN
DOCUMENTARY & ESSAY FILM
AKZO
VIDEOCLIPS
WOUT
ABOUT
TV & DOCU
EDITING
CAMERAWORK
CONTACT
PHOTOGRAPHY
More
Use tab to navigate through the menu items.
VIDEO EDITING
VOORMONTAGE & SOCIALS
VIDEO EDITING WORK
All Categories
Play Video
Play Video
This is A State of Passion. Find yourself in others like you. Share your love for the game that will never be the same. Subscribe to FIFA on YouTube: https://www.youtube.com/channel/UCpcTrCXblq78GZrTUTLWeBw?sub_confirmation=1 Get your football fill from FIFA: 👉 https://www.instagram.com/fifaworldcup 👉 https://www.instagram.com/fifawomensworldcup 👉 https://twitter.com/FIFAWorldCup 👉 https://twitter.com/FIFAWWC 👉 https://www.facebook.com/fifaworldcup 👉 https://www.facebook.com/fifawomensworldcup #InternationalWomensDay #IWD2021 #FIFAWWC #AStateOfPassion #IWD
Play Video
Play Video
Play Video
Play Video
Teaser screened during the IFFR before the Bright Future competition program. Film explanation: This super short film is an ode to a time when cinema still occupied a fragile middle ground — between imagination and craft, between mass wonder and artistic ambition. It follows a young girl sitting alone in front of a television, obsessively sketching her own spaceship. Her drawings are technical, precise, and handmade — a private act of imagination shaped by something distant and seemingly inaccessible. What begins as an abstract, almost prestigious image on a screen slowly transforms into something she can actually reach: tangible, playful, and cinematic. As the drawing morphs into a toy spaceship and lands in the eye of the moon, the film directly echoes Le Voyage dans la Lune, recalling cinema’s earliest origins as a shared fantasy rooted in curiosity and invention rather than spectacle or institutional prestige. The moon functions both as a reference to early film history and as a symbol of pioneering — a place imagined long before it was ever reached. The film gestures toward a moment when movies could be inventive, accessible, and meaningful all at once — before those qualities gradually split apart, as attention fragmented, viewing shifted from cinema to television and streaming, and film lost its position as a shared cultural space. Composed at the dawn of the twentieth century, Clair de Lune belongs to the same cultural moment as early cinema — a time when art cared more about mood and imagination than spectacle. Inspired by poetry rather than achievement, it sees the moon as something distant and mysterious. Its use in the film echoes cinema’s origins as a shared fantasy, before wonder hardened into either elite prestige or mass spectacle. The film and explanation itself underscores the irony that cinema began as a shared, imaginative fantasy — and has since hardened into a divide between elite prestige and mass spectacle, leaving little space in between.
Play Video
Play Video
Play Video
Play Video
This is the third video I made in the series of short promotion clips for young product designers.
Play Video
Play Video
A short film about the work and design methodology of designer/artist Iwan Pol
Play Video
Play Video
The dutch trailer for the last River Monsters episode EVER (S9 Ep5)
Play Video
Play Video
Play Video
Play Video
Load More
bottom of page